During a recent Internet binge, I came across this lovely article on Buzzfeed featuring ugly Renaissance babies. Which makes sense. Not every Renaissance artist was a da Vinci. And so, inspired by both Buzzfeed and the original uglyrenaissancebabies on Tumblr, I decided to make my own list of the best Renaissance babies. And by best I mean most awkward.
1. Veronese, Adoration of the Magi. Look at those winged baby cherub heads. Those won’t give you nightmares.
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That’s right. Cherub baby winged bird head things. Because that’s what every baby Jesus needs. This is Veronese, the guy who did Feast in the House of Levi, though.
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2. Guido Reni, Drinking Bacchus. You’ll be glad to know that the Art Docent Program doesn’t cover Reni. Babies getting #2turnt are too much.
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3. Bronzino, An Allegory with Venus and Cupid. I have no idea what’s going on here but the kid in the back is obvs really excited about it. And there’s a disembodied head/snake lady. This is a Mannerist painting, which kind of explains a little bit of its weirdness. Mannerism was a brief period immediately following the Renaissance proper in which artists experimented with depth and color, sort of a reaction against the perfection that the Renaissance stressed. But that still doesn’t help me understand what the heck is going on. Full image can be found here.
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4. Parmigianino, Madonna with the Long Neck. Not only is this Jesus way too big, Mary’s got an interesting body shape, too. Thanks, Mannerism, for thoroughly confusing us all.
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5. Francesco Bianchi Ferrari, Arion Riding on a Dolphin. I couldn’t not include this baby, who might just want to watch the world burn. Whilst riding a doplhin playing a stringed instrument. Thanks, uglyrenaissancebabies!
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6. Francesco Bianchi Ferrari, Virgin and Child. The pure unadulterated sass of this baby. Wow.
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Honorable mention non-Renaissance children who are too good not to include:
7. Sir Thomas Lawrence, Miss Murray. That glare though. She may be offering you flowers, but she’s really thinking about how to steal your soul.
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